Her second husband is. An 11th-century abbey revamped during the 18th century, the chateau has perhaps 100 rooms. That same year they provided the University of St. Thomas, a small Catholic institution in Houston, with funding to build Strake Hall and Jones Hall, designed by Philip Johnson per their recommendation. WHERE THE DE MENIL MONEY COMES FROM. The German art dealer Heiner Friedrich; his wife, Philippa de Menil (daughter of the noted philanthropist Dominique de Menil); and art historian Helen Winkler founded Dia Art Foundation in 1974. They began to concentrate on the more established Museum of Fine Arts. Ibish, Yusuf, and Peter Lamborn Wilson, eds. The Dan Flavin installation consists of two horizontal green fluorescent lights on the eastern and western sides of the building's exterior, two sets of diagonal white lights on the foyer walls, and a large work in the main interior space featuring pink, yellow, green, blue, and ultraviolet lights. So serious, in fact, was the recent plight of Dia that Dominique asked her son Georges, a trustee of Philippa's inheritance, to help. ''He made us greedy,'' Dominique says, remembering that the priest once appeared for lunch with a Rouault painting under his arm. Schlumberger is still the global leader in well logging, and has expanded over the years into the manufacture of electric and gas meters, transformers, microcircuits, instruments and test systems for aerospace and other industries. The stock decline was an element in the recent heavy retrenchment of the Dia Foundation, entirely supported by Philippa de Menil, to the tune of several million dollars a year. Sweeney, the de Menils' man, was eventually dismissed, partly because he questioned the attributions of works the Blaffer family proposed to donate. And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. ''The funny thing is, how it came out in me after my parents' collecting,'' says Philippa, a fresh-faced blonde who has her mother's unpretentious manner and good looks. They maintained residences in New York and France but settled in Houston, where John would eventually become president of Schlumberger Overseas (Middle and Far East) and Schlumberger Surenco (Latin America), two branches of the Houston-based oilfield services corporation. Philippa de Menil. The founders had . 1584-1586 - Franoise du Chtelet. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. ''It was very grand and typically him,'' says Adelaide. Why Not Dedicate Art to King, De Menil Asks City Council., Richard, Paul. The minute the cops arrive, they form ranks. While pressing toward the completion of the Houston museum, she finds time to head the Georges Pompidou Art and Culture Foundation in Paris; work on a long-range ethno-historical project, ''The Image of the Black in Western Art''; oversee the editing of the writings of Father Marie-Alain Couturier, the Dominican priest who introduced her and John to modern art; keep up with the activities of such de Menil projects as the Institute for the Arts at Rice University and the Rothko Chapel in Houston, and promote religious ecumenism through worldwide contacts among clergy of various persuasions. Adelaide wished that the starkly modern house, designed by the then-Mies-disciple Philip Johnson, could be like everyone else's. Meanwhile, grandiosity and the Schlumberger stock slide have caused the serious foundering of the Dia Foundation, established by Philippa and Heiner Friedrich, to support the ambitious projects of several hand-picked artists. THE DE MENILS' civil-rights activities earned them epithets ranging from '''radical chic'' to ''Communist.'' (One takes off one's shoes on entering.) philippa de menilare there really purple owls. After Sheikh Nur's passing, she would take on the guidance of the Nur Ashki Jerrahi Sufi Order and it's circles of dervishes around the world. Dominique, who maintains three homes herself, shakes her head indulgently over their ''extravagance.''. Now I have a vocation and much better bearings.''. battle of omdurman order of battle. 1576-1584 - Claude d'Anglure, nomme par le cardinal de Vaudmont, vque de Toul et maintenue par le duc de Lorraine, Charles III. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. Photography became an important component of the collection, which includes works by Eve Arnold, Henri Cartier-Bresson, Danny Lyon, Hans Namuth, and Eve Sonneman. Plans to create a museum to house and exhibit John and Dominique de Menil's collection began as early as 1972 when they asked the architect Louis I. Kahn to design a museum campus on Menil Foundation property in the Montrose neighborhood of Houston near the Rothko Chapel. ''Things just happen to me.'' ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. De Maria had traveled to Santa Barbara for his mother's 100th birthday in early June; however, he went on to . Actually, her children venerate Dominique almost to the point of copying her.'' This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. As modernists, they recognized the profound formal and spiritual connections between contemporary works of art and the arts of ancient and indigenous cultures, broadening their collection to include works from classical Mediterranean and Byzantine cultures, as well as objects from Africa, Oceania, and the Pacific Northwest. Designed by Renzo Piano, the permanent gallery echoes some of the architectural features of the Menil Collection, such as the use of diffused natural light, while retaining its own, separate identity. Their Georgian town house of brick and marble, while more for-mally ordered than the digs of the others, serves as a setting for high-caliber contemporary art, and is one of the Upper East Side's more elegant private dwellings. ''Mother lives at two levels,'' says Georges. What they do should be balanced against what's possible.''. By the 1960s the de Menils had gravitated toward the major American post-war movements of abstract expressionism, pop art, and minimalism. (Box, page 38.) ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. (A question mark next to a word above means that we couldn't find it, but clicking the word might provide spelling suggestions.) by Paula Newton November 11, 2013. by Paula Newton November 11, 2013. [2] Contents 1 Early life 2 Collecting art 3 Art patron "[8] Piano's understated design for the Menil Collection echoed the architecture of the surrounding bungalows, which had been painted gray by the Menil Foundation, and featured a roof of canopy leaves that allowed filtered natural light to fill the galleries. 2003), the world's largest contemporary art museum, located in Beacon, N.Y. A converted factory, it contains unusually large unbroken spaces, ideal for exhibiting the frequently monumental and often minimalist (see minimalism) art and large-scale installations Dia favors. Giovannini, Joseph. German gallery owner Heiner Friedrich, Fariha Friedrich (ne de Menil) and Helen Winkler Fosdick founded Dia. ''She feels a museum is all about interior spaces. But, he says, ''I was fortunate to be exposed to their interest in art as part of the natural fabric of life. I could have worked with Dominique.''. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. There are some who think they're crazy. In 1983, the foundation listed assets of approximately $30 million in art and real estate. In a stronghold of segregation, they not only backed civil rights and Martin Luther King, but entertained blacks at dinner. And several years ago, when they were agitating in Albany for legislation on fishing rights. She spoke at the Byzantine Fresco Chapel, inaugurating the Passionate Voices series, celebrating the 10th anniversary. Each is not only glamorously housed in Manhattan, most of them on the Upper East Side, but also has one or two lavish residences elsewhere -Paris, Texas, the Hamptons. It will house the more than 10,000 objects acquired by the couple. ''It began to look more like de Menil University than St. Thomas. Raised a Protestant, Dominique converted to Roman Catholicism in 1932. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. v t e Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. she subsidized a lobbying effort on their behalf. The public would never know museum fatigue and would have the rare joy of sitting in front of a painting and contemplating it Works would appear, disappear, and reappear like actors on a stage. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. Later in his life, spending more time in New York, he would give lavish dinners for them and make the rounds -in a chauffeured limousine -of poetry readings, performances and parties, bestowing gifts on those who interested him. His interest in architecture, he says, comes from his father and from working with Charles Gwathmey, who designed his East Hampton house. And then, you can move in and we can move out.' Dia Art Foundation, American foundation that supports contemporary art and artists, est. ALTHOUGH DOMI-nique's children function in somewhat lower gear, they also have made ambitious forays into - and even careers in - the arts. The de Menils often personally recruited faculty members for the departments and brought many renowned artists and art historians to Houston, including Marcel Duchamp, Roberto Matta, and James Johnson Sweeney, whom they convinced to serve as museum director for the Museum of Fine Arts, Houston from 1961 to 1967. Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. (Brought up a Protestant, she converted to Catholicism to marry John.) Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. When de Menil learned that a group of 13th-century Byzantine frescoes had been stolen from a chapel in Lysi, Cyprus, and cut up by smugglers, she paid the ransom and funded their restoration. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' They had a foreign accent, and political views that for Texas were extremely liberal. John shot from the hip. [1] She also published articles on film technology in the French journal La revue du cinma.[4]. To supple-ment the scanty family income, John dropped out of school to work in a bank. "Defying prejudice, Islam's mystical, musical strain appeals to New Yorkers", Menil Foundation - Handbook of Texas Online, "A Special Prize of the Carter-Menil Human Rights Foundation", https://en.wikipedia.org/w/index.php?title=Dominique_de_Menil&oldid=1127825718, This page was last edited on 16 December 2022, at 21:42. With the guidance of the Dominican priest Marie-Alain Couturier, who introduced the de Menils to the work of artists in galleries and museums in New York, they became interested in the intersection of modern art and spirituality. She said. Dia initially focused on commissioning works by a select group of contemporary artistsnotably, minimalists and conceptual artists. Institute of Religion Accepts Controversial Broken Obelisk.. John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. A more reticent, but still attention-getting, project is Adelaide's 40-acre housing complex, set in a former potato field not far from Francois's establishment. De Menil died in Houston on December 31, 1997. They are men mostly, with big egos and big ideas. . The de Menils' involvement with blacks has not only been on the political level. Eventually - despite their contributions of time and art - their ambitious projects brought them into conflict with budget-minded trustees. ''Not only were they considered radical, but really different. The foundation's extravagant expenditures have necessitated a family rescue effort. She badly needed a religion.''. While sharing their tastes, the children have also expanded considerably their parents' life style. The idea was born, Dominique says, out of her ''shock'' at discovering segregation ''when I arrived in the United States, and wondering why, when great artists have seen blacks as beautiful, dignified, noble, they were not considered so here.''. It was inescapable. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. Following the outbreak of World War II and the Nazi occupation of France, the de Menils emigrated from Paris to the United States of America. Looking back, I suppose we were too ambitious, and they felt overwhelmed.'' With Francois and Georges, she is also making a film about her father, who carried on his venturesome art and community activities while functioning as a key executive in the development of Schlumberger Ltd. ''She is painfully shy, but generous and thoughtful,'' a friend says. But one family member suggests that the figure ''could easily be twice that amount.'' Additionally, they have a manicured beachfront estate on Fishers Island, off Connecticut, and a house in Paris. They found it after the war, when their view of Ernst had improved, and they later became one of the artist's most diligent patrons, winding up with more than 100 of his works. At the age of 29, she met her mentor and guide on the path of Sufism upon his first visit to the Americas, Sheikh Muzaffer zak k al-Jerrahi of Istanbul. ''The things I've collected resemble the sort of works my parents acquired, but maybe less broad in range and less expensive,'' he says, pointing out, on a hall wall, a favorite Braque painting of his father's given him by Dominique. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. Heiner has helped me step out into life.''. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. I spent hours talking with John about world politics and philosophy. The project, not universally appreciated by black scholars who tend to feel the emphasis should be placed on what blacks themselves have created, has so far published two books on the subject. There was a moral obligation to get involved with their involvements. Schlumberger, Dominique. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport [31] The result was a museum that appeared "small on the outside, butas big as possible inside". [8] Over the years the family enjoyed close personal friendships with many of the artists whose work they collected, including Victor Brauner, Max Ernst, Jasper Johns, Yves Klein, Ren Magritte, Robert Rauschenberg, Dorothea Tanning, and Andy Warhol. He did. The family was met in Havana by John, who - having joined Schlumberger in 1938 - had been in Rumania, overseeing Schlumberger operations there, as well as putting sand into the gear boxes of Rumanian trains carrying oil to Germany. ''You support artists by buying their work, not by making shrines to them.''. Over the course of nearly 20 years, beginning in the late 1940's, they set up a full-fledged art and art history department, hiring -and paying for - teachers, researchers and what one of the former de-scribes as ''others with whom they have loose and flexible arrangements.'' Seven years later, John joined Schlumberger Ltd. Their backgrounds were very different. In return for her efforts, the Holy Bishopric of Cyprus allowed the works to remain in Houston on a 20-year loan. The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. (The two recently returned from a trek to western Tibet to take in the ruins of an 11th-century Buddhist temple.) [1], The de Menils, however, did not limit their acquisitions to modern art, and their eclectic tastes became a hallmark of their collecting practices. ''Wasn't I there?'' The Rothko Chapel, with its sculpture, Barnett Newman's ''Broken Obelisk,'' expresses their involvement not only with art, but with politics and religion. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. Soon the couple was on a collecting spree, venturing from Cezanne to Braque to Picasso, then - under the influence of the dealer Alexander Iolas - heavily into Surrealism. ''But there were all these weird paintings hanging on the walls,'' she says. He met Philippa through Helen Winkler, an employee of the Menil Foundation. And Adelaide herself now has a home or two not like everyone else's, in which the art is at least as ''weird'' as that owned by her parents. Dominique de Menil (ne Schlumberger; March 23, 1908 - December 31, 1997) was a French - American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. The Menil Foundation is contributing not only the art but about $8 million. While Georges and two of his cousins sit on the board of directors of the Schlumberger company today, the family now owns only about 25 percent of the stock. She has organized a forthcoming book ''Men's Lives'' - with specially commissioned photographs, and a text by Peter Matthiessen -about them. Flowering, in a way. The big, Orientally carpeted chambers, including a prayer room, are accented by Dan Flavin's sculptures of fluorescent light, among other works, and on one wall hangs a portrait of the Friedrichs' late Sufi guru, Sheik Muzaffer Ozak. '', ''I wanted a functional museum and they wanted great architecture,'' comments Dominique. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. [27], The de Menils also organized exhibitions that promoted human and civil rights, including The De Luxe Show, a 1971 exhibition of contemporary art held in Houston's Fifth Ward, a historically African-American neighborhood. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' Expansive main-floor displays will be made up of works in the storage areas, with space set aside for the spectacular theme shows that Dominique and the museum's director, Walter Hopps, have been doing together for years. Articles in Zest section The Menil Opens.. [2][3][4][5] Sheikh Muzaffer also gave direct transmission to fellow American dervish Sheikh Nur al-Anwar al-Jerrahi, who envisioned a radical and illumined path of the heart which he called Universal Islam. Naturally, the artists involved - two of whom, Robert Whitman and La Monte Young, lost elaborate performance and living quarters - were hugely disappointed. One of the first International Style residences in Texas, it generated controversy not only by standing out amongst the mansions of River Oaks but also by pairing Johnson's clean, modernist lines with a bold color palette and eclectic interior design by Charles James. At that point, the de Menils began to drift away from the museum. She recently bought another place near Sag Harbor, and in Manhattan she has a splendid three-story former carriage house with a swimming pool on the ground floor, redone with help from the Los Angeles architect Frank Gehry and the ''light sculptor'' Douglas Wheeler. ''I'm really too busy to see you today,'' she announced, and vanished. Expanding. Apr 18, 2018 1:37PM. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. Menil Archives, The Menil Collection, Houston. The Fathers, too, can now see both sides. Dominique de Menil appears regularly in Forbes magazine's annual listing of the 400 richest people in America, with an estimated worth of ''at least'' $200 million in Schlumberger stock and art alone. The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. Behind that fragile, otherworldly facade is a complex person of very ambitious reach.''. John and Dominique de Menil also shared an interest in photography, inviting photographers to come to Houston to document events in the city and exhibit their work. Dia was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. Beyond the family, their influence has been substantial, too. Like the other children, he realizes fully that his parents are a difficult act to follow. During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. While the city council hemmed and hawed over acceptance of the gift, Newman himself suggested that it be placed at its present site. (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) ''For instance, there was a big purple and yellow canvas by Leger, and I hated to take my friends through the hall where they could see it. As it turned out, her parents, thanks to their holdings in Schlumberger, the giant multinational oil-field services company, were en route to developing one of the world's largest private art collections, noted today for its examples of Cubism, Surrealism, African sculpture, Mediterranean antiquities and contemporary works. ''When they didn't control things, they stepped aside,'' says Philippe de Montebello, now director of the Metropolitan Museum of Art, who took the job in Houston after Sweeney. Sheikh Muzaffer Ozak's most prominent disciples and successors in North America were Tosun Bayrak, Lex Hixon, and Philippa de Menil. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. [33], The nearby Cy Twombly Gallery, opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper. She also established the scar Romero Award, named after the slain El Salvadoran bishop. Dominique gracefully dismisses the criticisms of the building - planned by her and John since the early 1970's - primarily voiced by Christophe and Adelaide, who wanted a designer of more weight than Renzo Piano. [1] She was awarded the National Medal of Arts in 1986. GROWING UP IN HOUSTON, ADELAIDE DE MENIL was embarrassed to bring her friends to the art-filled home of her parents, Dominique and John de Menil. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Collector-watchers point out, however, that - starting later and with less money - the de Menils have not yet managed to give us the equivalent of the Cloisters, the Museum of Modern art and Colonial Williamsburg. They were compelling.'' Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. Hickey-Robertson. In fact, she is referred to by her oldest son, Georges, as ''the Reverend Mother Superior.'' Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. This in turn enabled the inventors to determine the location of an oil deposit. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. I wanted a wooden one.''. [12] The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. Philippa and her husband Heiner have made over a former apartment building into a townhouse. The Barnett Newman ''Broken Obelisk,'' made of Cor-Ten steel, stands 26 feet high in a reflecting pool that faces the chapel's entrance. And next month, Dominique de Menil, the family matriarch (her husband John, ne Jean, died in 1973), will see the completion in Houston of a new $21 million museum known as the Menil Collection, minus the de, in the interest of simplicity. ''Dominique and John were entirely separate people who worked not so much together but in parallel ways,'' suggests Fred Hofheinz. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport In fact, all five de Menil children - Christophe, Adelaide, Georges, Francois and Philippa - have inherited their parents' interest in art and architecture. As a subscriber, you have 10 gift articles to give each month. The black under-taker who attended him provided a plain, rope-handled pine coffin, which was transported by Volkswagen van to the de Menils' parish church. The building was designed by architect Francois de Menil and mimics the original Lysi chapel. Raised in a code of stern Protestant morality, Dominique is quite prepared to give a million to a worthy cause, but not to spend money on such frivolities as taxis, according to Edmund (Ted) Carpenter. [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. After his death, he lay in state, wrapped in a sheet in his own bed. She has now turned her East Side carriage house into a fashion atelier. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. As a trustee there, John was responsible in 1961 for bringing in as director the distinguished but controversial James Johnson Sweeney, former director of the Guggenheim Museum in New York. Whitman brought a suit against Dia, which is pending. The chapel, opened in 1971, is an all-faith center, a ''no man's land of God,'' Dominique says. It was there that the de Menils began their institutional involvement with art. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. [1], The Menil campus also includes the Byzantine Fresco Chapel. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. Heiner's Wagnerian ambitions to serve as impresario for artists with grand-scale visions appealed to her. Today, Dominique says, her relationship with the still-small institution is ''very friendly. They helped make a black militant who hated white people into a humanitarian.'' John listened patiently to the telephone tirade and then said, ''Listen, my friend, why don't you come to my house for a drink? Her second husband is is a German-born former art dealer, Heiner Friedrich, with whom she is deeply engaged in Sufism. The day and hour were set, with Dominique's agreement. [1], In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of human rights worldwide. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. Dominique de Menil, the daughter of Conrad Schlumberger and his wife, Louise Delpech, was born in Paris on March 23, 1908. Called ''well logging,'' the process became the basic asset of the company, eventually proving indispensable to oil companies around the world. When John de Menil walked into Alexander Iolas Gallery in Paris one day in 1964, Jean Tinguely's moving, noisy sculptures stole part of . Shortly thereafter, she gave him a book of Cartier-Bresson photographs, inscribed to him by the master himself, who had been staying with her for the weekend. An economist, with a Ph.D. from the Massachusetts Institute of Technology, he has taught at Princeton and is founding director of the economics research division of the Institute for Advanced Studies in the Social Sciences in Paris, where he is a professor and where he spends time teaching each year. ''If only my father could see him now,'' his sister Adelaide has remarked proudly. ''', Dominique's craving found expression during the couple's frequent visits to New York in the 40's and 50's, where they met Father Marie-Alain Couturier, a French Dominican priest who spent the war years there. Says Philip Johnson, who met Dominique and John when they were ''still living in a tract house'' in Houston, ''They were unpretentious, yet arrogant enough. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). ''I get that so much from my mother - decide what you're aiming at and strike out after it. For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' And when John died in 1973, he left his estate in part to Dominique and in part to the Menil Foundation, set up in 1954 to support ecumenism, education, the arts and minority causes. A European artist, who is a friend of Adelaide's and Ted's, remembers making an appointment through them to see Dominique on a visit to Houston. "[15] In 1954 they founded the Menil Foundation, a non-profit organization dedicated to the "support and advancement of religious, charitable, literary, scientific and educational purposes".[16]. Easily the most spectacular residence is Francois's, built a few years ago on seven acres of expensive East Hampton beachfront as a vacation retreat from his handsome Manhattan apartment. ''Christophe and I had chicken pox,'' remembers Adelaide. She spoke at the Byzantine Fresco Chapel, inaugurating the Passionate Voices series, celebrating the 10th anniversary. (Once, for instance, he surprised the dance critic Jill Johnston with a round-trip ticket to England, so she could visit her birthplace.) They have also come to the aid of liberal-left politicians and Islamic religious groups, avant-garde music and counterculture films, archeological digs and art education, Long Island fishermen and anti-Vietnam activists. Rites were performed not only by a Catholic prelate, but a black Baptist minister, a rabbi, and a Buddhist priest. Schlumberger Ltd. - tHE Source of the de Menil family's fortune - was established in 1934 by Conrad Schlumberger, Dominique de Menil's father, and Marcel Schlumberger, her uncle. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. I think they're inspired.'' When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. An informal art historian and teacher, Dominique has also organized some remarkable exhibitions, innovatively installed. In the dining room, 18 rare chairs by the Viennese architect Josef Hoffman surround a pair of tables designed by Gwathmey. They were the first Americans to influence Europeans. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. [1] American Sufi leader Hugetz, Edward, and Brian Huberman. to find the word you're looking for. Christophe, who at 53 is the oldest (and a grandmother of three, by her daughter Taya) has always been attuned to the avant-garde. ''I went to breakfast, lunch and dinner at their house and met every important person they knew. [8][9] De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". I'M VERY PROUD OF them,'' Dominique says of the children, ''and gratified that they have John's and my interests. [21] Other filmmakers who visited the Media Center included Ola Balogun, Bernardo Bertolucci, James Blue, Jim McBride, and Colin Young. 1974 by art dealer Heiner Friedrich and his wife, art patron Philippa de Menil. The foundation, which commissions and purchases artworks, specializes in artists first recognized in the 1960s and 70s and younger artists working within the same aesthetic . [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. In 1974, Fr T HE SECOND-GENERATION de Menils all have established their own lives and embarked on their own projects - though none, perhaps, with the drive and range of their parents' activities. You can look up the words in the phrase individually using these links: philippa? Woe Follows the Obelisk., Hobdy, D. J. Dominique de Menil, Quoted in Browning 1983, 37. Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. But the falling price of Schlumberger stock and serious administrative problems brought big financial troubles. After a substantial inheritance from their Schlumberger grandmother, nothing more would be forthcoming, the children were given to understand. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. For example, use A big show of the family's art collections was held at the Grand Palais in Paris two years ago. She studied mathematics and physics at the Sorbonne in Paris in 1927-28 . Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes., Last edited on 16 December 2022, at 21:42, Houston-based oilfield services corporation. Sheikha. They buttressed a budding art history department, established an Institute for the Arts that sponsored exhibitions, lectures and events, and created an ''Art Barn'' for exhibitions. I try to stay close to them, and as time goes on, we are more and more in touch.'' Brennan, Marcia, Alfred Pacquement, and Ann Temkin. In 1974, Friedrich and his future wife, Philippa de Menil, the youngest child of Dominique and John de Menil of the Schlumberger oil fortune, created the Dia Art Foundation. But we are definitely a collection of people very much influenced by John and Dominique. John's assertiveness made itself felt even as he lay dying of cancer, when he prepared a scenario for his funeral. which cannot be easily produced, fi-nanced or owned by individual collectors because of their cost and magnitude". In 1949 they commissioned the architect Philip Johnson to design their home in the River Oaks neighborhood in Houston. Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. Early in 1969, the de Menils transferred their patronage from St. Thomas to Rice University, a secular, science-oriented school then beginning to branch out into the liberal arts. Pianissimo: The Very Quiet Menil Collection., Holmes, Ann, and Patricia C. Johnson. They were an extraordinary couple. [22], Their most controversial action on behalf of civil rights was their offer of Barnett Newman's Broken Obelisk as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated Martin Luther King Jr.[23] The city refused the gift, sparking a controversial debate[24] that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed Rothko Chapel. ''Life had been tough for him, and he saw how hard it was for some others.''. THE DE MENIL FAMILY: THE MEDICI OF MODERN ART, https://www.nytimes.com/1986/05/18/magazine/the-de-menil-family-the-medici-of-modern-art.html. For starters, in a locale where the ideal home was a formal white-pillared mansion, the de Menils got Philip Johnson to do them a sprawling, one-level house. Although family members say that the decline has affected them ''minimally,'' Dominique de Menil notes, ''A lot has been eroded. ''We didn't really buy art, because we didn't have the money and we didn't think of it,'' says Dominique, whose scientist father considered spending money on art frivolous. Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . Believing in art education and - though committed Catholics -religious ecumenism, they saw in St. Thomas, run by the Basilian Fathers, a chance to further the school and their causes. After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and architecture. The gray clapboard of the museum is in keeping with the small, traditional timber-frame homes -some used as foundation offices, others rented to friends, associates and various locals - that surround it. ''Each branch of the Schlumberger clan has a wing,'' Christophe explains. The de Menils' Catholic faith, especially their interest in Father Yves Marie Joseph Congar's teachings on ecumenism, would become crucial to the development of their collecting ethos in the coming decades. The foundation operates Dia:Beacon (est. [2], De Menil was born Dominique Isaline Zelia Henriette Clarisse Schlumberger, the daughter of Conrad Schlumberger and Louise Schlumberger (ne Delpech), Calvinist Alsatians. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former president Jimmy Carter to "promote the protection of human rights throughout the world". Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. For several artists besides Judd, houses with studio or living arrangements were provided along with annual stipends, and museums were set up for the work of others. THE COUPLE'S MOST INTENSE Houston involvement was with St. Thomas University, a small Catholic college. A good part of the Menil Collection comprises objects of African and other tribal art, and the foundation began, in 1961, a long-range research project, ''The Image of the Black in Western Art.'' Heiner Friedrich and Fariha Friedrich (formerly Philippa de Menil), who Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. Anyone can read what you share. The reunited family went to Houston, then the American headquarters for the company. Carr, Annemarie Weyl, and Laurence J. Morrocco. key biscayne triathlon 2022 The city's negativism toward the piece, however, served as a goad to the active de Menil political conscience, according to Fred Hofheinz, a young white liberal who was elected Mayor of the volatile city in 1973 with heavy de Menil backing. And I loathed the black-tiled floor. Fariha Friedrichwhich is the name Philippa de Menil assumed after she and Heiner Friedrich embraced Sufi Islam and married in 1979was talking about the beginning of their foundation. [34] The frescoesa dome with Christ Pantokrator and an apse depicting the Virgin Mary Panayiawere installed in a reliquary-like space interior where they were displayed until March 2012, at which time they were returned to the Church of Cyprus. Byzantine Fresco Chapel, Passionate Voices: Unveiling of Love, The [lecture by Fariha de Menil Friedrich], 2007-03-24, 2007-08-07, Eine multikulturelle Familie macht Kulturpolitik, 1997-10-02, Magnificent milestone: The Menil turns 20, 2007-06-03, Menils Everyday People captures human detail, 2007-04-12. When they arrived there from Paris in the early 1940's, they were not yet as wealthy as they would become, but they were almost too interesting. menil? And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. So in tune with the de Menils' judgments was Sweeney that at one point, seeing a show in Paris of cranky kinetic works by the then-little-known Swiss sculptor Jean Tinguely, he let them know about it. (Dia, the Greek. The issue was really the kind of institution St. Thomas was to be - would it maintain its Catholic identity or would it become a secular college? The two youngest children are Francois, 41, and Philippa, 39. Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. It serves the vi-sion of a place ''for people in search of peace, meditation and a more intense consciousness of our time.'' She grew up, the middle sister of three, watching her physicist father, Conrad Schlumberger, struggle to perfect his invention, an electric measuring device that disclosed the location of oil deposits. Indeed, Adelaide has recently given the museum an important piece from her collection. The foundation cut back drastically on its support of artists, began to sell some of its extensive real estate holdings and, at auction, some of its choice art works. They gave major gifts of art to the school, bought land to expand the campus and hired Philip Johnson to design new buildings. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. While the two had mutual feelings for art and social problems, Dominique was reticent and understated, John was ebullient, opinionated, action-oriented. 1529-1538 - Philippa de Ligniville, fille de Jean de Ligniville et de Jeanne d'Oiselet. There, surreal-looking dress dummies and women assistants with pins in their mouths share space with art by Cy Twombly, Yves Klein, Ralph Humphrey and John Chamberlain as well as furniture by the late Charles James, Dominique's favorite dress designer. In 1974, the two formed the Dia Foundation - the name is Greek for catalyst - subsidized solely by Philippa's shares in Schlumberger Ltd. Dia soon became one of the largest and most venturesome nonprofit funding sources in the field of contemporary art, buying up the works of certain artists -more than 125 of John Chamberlain's sculptures of crushed auto parts, for example - and sponsoring projects that range from Walter de Maria's permanent ''earth sculpture,'' comprising 280,000 pounds of dirt that fill a gallery in a SoHo building, to the vast ''Art Museum of the Pecos,'' in Marfa, Tex., a compound of more than 340 acres which has deployed an array of indoor and outdoor works by Donald Judd and other artists. In 1930 she met the banker Jean de Mnil (who later anglicized his name to John de Menil), and they were married the next year. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. ''What I inherited was my mother's craving. "The Memory of Rossellini in Texas." They actually maintained their support here for six or seven years before it began to happen.'' [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. When the de Menils acquired the sculpture in 1968, the year the Rev. TimesMachine is an exclusive benefit for home delivery and digital subscribers. Their actions in Houston focused upon the Civil Rights Movement in particular. Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. ''He reminds me of my father,'' she says, ''with his strong idealism and willingness to undertake certain things that others wouldn't. Impressed with Leland, John de Menil took him under his wing and brought the young man into his own social and artistic circles, ''sophisticating a rough diamond,'' as Leland puts it. It is often cited as one of the most significant privately assembled art collections, alongside the Barnes Foundation and the J. Paul Getty Museum. Now it's a coalition of businessmen and minorities who run the city.''. [1] She was awarded the National Medal of Arts in 1986. At one of them he met and influenced Philippa de Menil, a member of a famous Franco-American family of art patrons, and her German-born husband. French expats who left Paris for the United States during World War II, the de Menils were the heirs to multiple fortunesincluding Dominique's family's booming oil equipment company . She received direct transmission from him in 1980. (For their honeymoon, he took Dominique on a bus trip through Morocco.) It also features temporary exhibitions. The couple also has a house in Bridgehampton, L.I., and a 60-square-mile holding in Texas, known as Mesquite Ranch, that is being restored, possibly for use as a retreat or conference center. The middle child is Georges, an elegant and articulate - if slightly stuffy -scholar of 45 who more or less oversees the family's financial matters. In, Donald D. Clayton, "The Dark Night Sky: a personal adventure in cosmology" Quadrangle/The New York Times Book Co. (New York 1975), Richard, Paul. And she was surrounded by accomplished relatives. She began to collect work by contemporary Americans even before her parents did, and exerted considerable influence on their acquisitions in the field. The caller hung up. de? They hated the result, and hid it away. Dominique, who was courted by other cities, says that the museum is in Houston because ''I was so encouraged here.'' ''They came as intellectuals to an intellectual void,'' says Isaac Arnold Jr., chairman of Houston's Museum of Fine Arts and also of Quintana Petroleum. Congressman Mickey Leland, it was one of the first racially integrated art shows in the United States.[28]. Casey Lesser. . The work these artists made changed, or at least questioned, the nature of art: what it. Dominique's way of not always paying full attention to this world has been transmitted to some of her offspring. [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. Philippa was then married to Francesco Pellizzi, an Italian anthropology student, and already exploring with him the concept of helping artists realize large-scale environmental works. In 1960 they launched the ambitious scholarly research project "The Image of the Black in Western Art," directed by art historian Ladislas Bugner. It has, among other gifts, attracted two $5 million contributions: one from the Cullen Foundation, set up by the late conservative oilman Hugh Roy Cullen, another from the Brown Foundation, established by the late Brown brothers, Herman and George R., who were partners in the giant engineering-construction firm of Brown & Root. He took the the couple around to galleries, singing the praises of the modernists. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. ''It was the most extraordinary thing that ever happened in Houston.''. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. Unlike the normal superwealthy, their pursuits do not run to clubs, yachts or horseracing. Initially the stated aim as written in its first report was to "plan, realise and maintain public projects of artists. At the suggestion of the Houston designer Howard Barnstone, who might be called the de Menils' architect-in-residence, the houses have mostly been painted a uniform gray, so that the museum and the bungalows together have the aspect of a small, but by no means unpleasant, company town. Joining the bravely vanguard Contemporary Arts Association, they made their presence felt, producing a major Van Gogh show and staging exhibitions of work by Max Ernst, Joan Miro and Alexander Calder. They ultimately amassed more than 17,000 paintings, sculptures, decorative objects, prints, drawings, photographs, and rare books. Her ideas are defended by her son-the-architectural-student. ''It's Dominique's museum and it's important to her,'' Francois says. The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. Their fervor spilled over into us. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. Hopps, a well known presence in the field of contemporary art, comes from California and made a reputation early on as director of the esteemed Pasadena Museum of Art. [1] They commissioned Henri Cartier-Bresson to photograph the 1957 American Federation of Arts convention, held in Houston that year, and worked with photographers such as Frederick Baldwin and Wendy Watriss, who went on to establish FotoFest, and Geoff Winningham, who served as head of the photography department at Rice Media Center. ''It gives us a strong family feeling.''. .''. More than 1,000 mourners, an international assemblage including a local contingent of Black Panthers - to whom John had given money for setting up a free children's breakfast program - turned out in a heavy rainstorm. Philippa De Menil Bio Details Full name Philippa De Menil Gender Female Age 71 (approx.) Inevitably, John's impulse to control brought him into conflict with other trustees, notably John Blaffer, son of a powerful Houston family. Ever since, Dia's mission has been to commission, support, and present site-specific long-term installations and single-artists exhibitions to the public. Photo by Michael Schmelling Ingersoll, Richard. News Dia Sues Dia: Founders Try to Stop Art Auction. Notes Dominique's younger sister, Sylvie Boissonnas -also an art collector and patron, who lives in Paris, ''My father was of Gide's atheist generation, and Dominique was very spiritual. A local citizen once called John up and railed against him as a ''red'' for his support of King. But Heiner lives in a dream. (As one Texan commented, ''The de Menils have done so much good with so little money,'' pointing out that their wealth was ''really peanuts, compared to some fortunes down here.'') John was more interested in architecture as architecture, and in a sense maybe Christophe and Adelaide are taking his role. So hooked were they that, ''We went crazy,'' says Dominique. Both born in Houston - their three elders were born in France - they grew up in the rebellious 60's and seem to have come to terms more uneasily than the others with the Schlumberger aura. She says now that she never imagined their acquisitions would someday fill a museum. ''Yet I admire them, and I don't want to belittle their achievements.'' Date of birth 1947 Birth place Houston, USA Philippa De Menil Siblings Philippa De Menil Age 71 (approx.) The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. The most conservative of the children, and the most involved with family tradition, he uses - in France - his title, Baron, bestowed on the de Menil family by Napoleon. [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. ''Ted really started it - he saved an old house that was going to be demolished, and so we bought the land,'' she says. She is not a ''go-getter,'' she insists in her French-tinged English. (An uncle, Jean Schlumberger, helped found the celebrated literary magazine Nouvelle Revue Francaise). [1], John and Dominique de Menil began collecting art intensively in the 1940s, beginning with a purchase of Paul Czanne's 1895 painting Montagne (Mountain) in 1945. On the other hand, she can be imperious. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. "Les divers procds du film parlant". stephen scherr family; nigel jones philadelphia. Then you can see how a Communist lives.'' ''We even borrowed money to buy art. ''It's absolutely crazy what they did,'' says one New York dealer. De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. melanie orlins measurements, girl found dead in torquay, child protection summit 2022, philadelphia phillies fan mail address, rizzuto family net worth, nathan owens uschag, candlelight jazz williamsburg hotel, funeral homes canton, mi, is northeast heights albuquerque safe, ian towning family, how to upload documents to healthearizonaplus, second chance apartments in newport news, lake monticello va hoa rules, left wing italian football clubs, bristol, ri summer concert series,

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